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2006 single past Evanescence

2006 single by Evanescence

"Telephone call Me When You're Sober"
EvCMWYScover01.jpg
Single by Evanescence
from the anthology The Open Door
Released September 4, 2006 (2006-09-04)
Recorded 2006
Studio Record Establish (Los Angeles)
Genre
  • Alternative metal
  • nu metal
  • hard rock
  • symphonic rock
  • electronic rock
Length 3:36
Characterization Wind-upwards
Songwriter(s)
  • Amy Lee
  • Terry Balsamo
Producer(s) Dave Fortman
Evanescence singles chronology
"Everybody's Fool"
(2004) 		"Phone call Me When You're Sober"
(2006) 		"Lithium"
(2006)
Music video
"Telephone call Me When You're Sober" on YouTube

"Phone call Me When You're Sober" is a song by American rock band Evanescence recorded for their second studio album, The Open Door. Wind-up Records released it as the album's lead unmarried on September 4, 2006; this release was preceded by the song's Internet leak and its earlier distribution to radio stations on July 31. The track was written past group members Amy Lee and Terry Balsamo, while Dave Fortman handled its product. Lee revealed that the vocal was inspired by an unsuccessful relationship with Shaun Morgan, lead singer of the band Seether.[ane] The rail is an alternative metal, symphonic rock, and electropop piano ballad about a woman terminating a relationship with a love involvement who suffers from an habit.

Information technology received a polarized response from music critics; although some praised its radio appeal and the apply of numerous musical styles and instruments paired with Lee'due south laudable vocal performance, others felt that it was not a worthy comeback song and found it inferior to previous songs by the band. "Call Me When You're Sober" was commercially successful in the Us, where it peaked at number ten on the main Billboard Hot 100 and number four on the Alternative Songs chart in add-on to entering the pinnacle x of several Billboard component charts. Information technology was a success elsewhere as well, peaking within the top ten on various charts internationally, including the UK, Australia, Finland and New Zealand. The single was certified platinum by the Recording Industry Association of America (RIAA) and gilt by the Australian Recording Manufacture Clan (ARIA).

An accompanying music video for the song was directed past Marc Webb and filmed in Hollywood; it draws inspiration from the fairy tale "Trivial Blood-red Riding Hood". It features British actor Oliver Goodwill equally the Big Bad Wolf, trying to seduce Lee. The video was noted to contain metaphorical undertones as opposed to the song's literal lyrics. "Telephone call Me When You're Sober" was part of the set lists during three of Evanescence'due south worldwide tours; The Open up Door Tour (2006–07), the Evanescence Tour (2011–12) and the ring's 4th worldwide bout (2016–17). It has been covered by American Idol contestant Gina Glocksen and used in several video games, including Rock Band.

Groundwork and release [edit]

The song is very personal.[...] It was very brave for me, the lyric writing, because I was only sick of hiding backside metaphors in all that I had been writing. So much of the tape was nearly the turmoil I was going through, with choosing between happiness and comfort. In the end, I had to choose happiness and health for myself. I made the right determination.

- Amy Lee talking about the writing process backside "Telephone call Me When You're Sober"[ii]

Post-obit the commercial success of their debut studio album Fallen (2003) and its accompanying tour (2003–04), Evanescence returned to the studio to work on material for a new album. During that time, guitarist Ben Moody left the band and the group sued their previous record managing director. In addition, the replacement guitarist for Moody, Terry Balsamo suffered from a stroke during the final stages of recording, which farther extended the fourth dimension needed to release and finalize the album. The Open up Door was somewhen finished and set for release in Oct 2006 with "Call Me When You lot're Sober" announced every bit its offset unmarried.[iii] When the song was first released, it was speculated among the public that it was defended to lead singer Amy Lee'due south contempo ex-boyfriend at that time, Shaun Morgan, the pb vocaliser of the rock band Seether.[3]

Although initially reluctant to reveal where she drew inspiration from to write the song, Lee decided to disembalm during an interview in August 2006 and confirm the speculations. Her determination to publicly talk about the inspiration came soon after Morgan had been admitted to a rehabilitation heart to undergo handling for "combination of substances".[4] The singer stated that when conceiving the song, she was aware that "people would read betwixt the lines", hence, she tried to "be completely clear". With information technology, she felt the need to "say exactly what I was feeling for so long" and connected to describe her procedure of creating music as a form of a therapy that gave her a medium to express the negative things that had happened in her life and allow her to "plough something bad into something beautiful".[five] "Call Me When Y'all're Sober" helped her in the process of healing from a "painful ending to a relationship".[three] Lee further elaborated:

"I call up information technology'southward impossible to hide how obvious it is. The day that our single hit the airwaves, my ex-beau said he was going into rehab and canceled their bout. I haven't e'er said correct out who it was nearly, just information technology's nigh the large human relationship I was in, and the whole breakup, which was really long. The breaking up and the hard stuff in our human relationship happened sort of afterwards I was out of the spotlight for a while and writing. It wasn't in any way public. I was trying to exist kind of discreet about it, and so he totally came out and said he was going to rehab. Information technology was shocking to me. It kind of made for a more interesting story."[ii]

In addition to that, Lee noted that the song was likewise inspired by other events in her life, including people who she was collaborating with, "belongings me down and manipulating me and betraying me", eventually leading her to brand the decision of "put[ting] my foot down and walk[ing] out the door".[two] During a 2011 interview with Spin magazine, Lee described "Phone call Me When You're Sober" as "more often than not a chick anthem: 'You only want me when you're drunkard. You only desire me because I'm not there'" and deemed information technology empowering for her female audition of listeners due to the response she had received from them.[6] In retrospect, Lee mentioned in 2016, "I love this song because information technology has this fun spirit that was new for us as a ring. You can still be heavy with a grin on your face."[vii]

"Call Me When You're Sober" had a limited radio release as the offset single off The Open Door on July 31, 2006. This was followed past a wider release in the following calendar week. Since the track leaked onto the Internet two days before its scheduled release to radio airplay, the ring's tape label Wind-up Records allowed radio stations to play the single ahead of schedule.[viii] Subsequently, the recording was made bachelor for digital download on September 4, 2006, and a physical release every bit a unmarried followed on September 25.[9] Rumors began to surface that Wind-upwards was responsible for the track's selection as the album's beginning unmarried, which Lee denied in a mail on the band's then-active fansite Evboards.com: "Wind upwardly didn't choose this unmarried- I did, and I had to fight for it. I love this song. Also, they didn't change annihilation well-nigh it. This is the mode we made it. Nosotros fought over the guitar part but eventually just got the mix right."[ten]

Morgan's reaction [edit]

Shaun Morgan, Lee'due south ex-beau and lead singer of the ring Seether, was the song's inspiration.

During an interview in 2007, after finishing with his rehabilitation, Morgan explained how the vocal had "haunted" him around and badly affected his reputation. He stated that it was not pleasant to hear a song describing him as a "bad guy" that "millions of people have heard". He elaborated, "I was bummed out. I was really upset that she would say and practice those things. In whatsoever relationship, I don't think it's correct to say and do those things when people break up, and she obviously felt the need to go out there and make me sound like a complete a--hole [sic]... I just decline to lower myself to that level. But information technology was a painful thing and information technology got me down."[4] At the time of the interview, Seether's album Finding Beauty in Negative Spaces was to exist released shortly and speculations started arising to whether it would contain an answer vocal to "Phone call Me When Yous're Sober"; "Breakdown" was initially pinpointed as a possible reply.[4] In response to that, Morgan elaborated that the item song was non an "aroused backlash" and it was "more than universal" as he was trying to be "more vague and respectful". Talking about Lee's song, he mentioned how "there are always two sides to every story", however, he opted non to tell his side as "[t]lid'south what the bloodthirsty desire, and I don't intendance what the bloodthirsty want" emphasizing that he "didn't feel the need to write back and be mean".[4] He added that Finding Beauty in Negative Spaces did not incorporate other reply songs aimed at Lee either, as "I know what the expectations are for this album and that people will be looking for that Amy Lee reference, and I am trying badly not to have any" further noting how any possible references would exist about another relationship he had recently terminated or inspired by other people in his life.[4] In an Oct 2006 interview with Spin, Lee initially expressed "no intention of hurting [Morgan]" when writing the song, but noted that in one case the song came out without any metaphors, she wanted to keep it.[11]

Recording and limerick [edit]

"Phone call Me When You're Sober" was written by Amy Lee and Terry Balsamo, while its product and audio mixing were handled by Dave Fortman at Ocean Fashion Studios in Los Angeles. The programming of the track was finished by DJ Lethal while grouping member John LeCompt finished the additional programming. Jeremy Parker was responsible for its sound engineering while Ted Jensen served every bit its master. "Telephone call Me When You're Sober" was recorded at Record Establish Studios in Los Angeles.[12] The instrumentation is provided past the band with Lee playing keyboards, Terry Balsamo playing atomic number 82 guitar, John LeCompt playing rhythm guitar, Tim McCord playing bass guitar and Rocky Grayness playing drums. Lee'south sisters, Carrie and Lori Lee, perform the backing vocals during the chorus line "Make upwards your mind". "Call Me When Y'all're Sober" was i of the last songs recorded for The Open Door.[12]

Lee and Balsamo started working on the song during a camp session in Florida which lasted for several months; Lee played the music she had imagined for the song in her room while Balsamo could overhear information technology from his while simultaneously working on a very different "heavy riff". Upon hearing his work, Lee proposed that they mix both pieces together which led to the conception of "Call Me When You're Sober".[7] According to the sheet music published by Alfred Publishing on the website Musicnotes.com, "Call Me When Y'all're Sober" was written in the key of E minor. It is prepare in mutual time and performed in a moderately fast tempo of 96 beats per infinitesimal for a total length of three minutes and 34 seconds. Lee'due south song range in the song spans from the low musical note of G3 to the high musical annotation of Eb5.[13] Kelefa Sanneh of The New York Times identified numerous different genres present in "Call Me When You're Sober" such as nu metallic, symphonic rock and electropop.[xiv] The song starts off as a piano ballad, progresses into a hard rock song with an orchestral popular-infused chorus and contains a bridge before the final chorus.[xv] The singer's vocals are doubled for the 2nd verse of the song.[15]

Lyrically, "Phone call Me When You're Sober" is a literal song which depicts the hard situation of a female protagonist dealing with a lover who suffers from an addiction; she eventually decides to motility abroad from this dysfunctional relationship and leave him.[xvi] [17] According to Lee, writing a song with literal significant was an unusual practice for her. A author for The Daily Princetonian concluded that "Call Me When Y'all're Sober" and "Lithium" (also from The Open Door) were both dedicated to Lee's ex-young man, with the latter song exploring his perspective of the story started past Lee in the former one.[xviii] Andree Farias from Christianity Today felt that the song was "self-explanatory".[nineteen] A Stornoway Gazette writer called it a "tough-beloved" song which finds the protagonist "hoping that [her lover will] crash and burn and finally learn a lesson".[20] In the vocal, Lee accuses her lover numerous times, as illustrated in the chorus lines "Don't cry to me/ If you loved me/ You would be here with me" and the bridge lines "Y'all never call me when you're sober/ You only want it cause it's over".[21] [22] The lines "make up your mind" repeated during the vocal's chorus are replaced with "I've fabricated up your mind" at the finish, indicating that the protagonist has moved on, eventually realizing her worth.[xi] The song closes off with Lee giggling, which was described equally "the proverbial last express joy".[23]

Critical reception [edit]

The vocal received polarized reviews from contemporary music critics; although many perceived it as a highlight on the album and noted its radio entreatment, others saw it as an unworthy comeback with a generic sound. In a review of The Open up Door, R.J. Carter of the music website The Trades said that "Call Me When Yous're Sober" has a "perfect" intro that shows Lee's vocal power and added that the vocal is "the album'due south standout performance".[24] A writer from The Boston World deemed the song the album'south "difficult-charging opening salvo".[25] Ed Thompson of IGN picked the song equally one of the album's highlights.[26] AllMusic's Stephen Thomas Erlewine picked the song as one of the album's 3 highlights, maxim that information technology had structure, hooks and momentum.[27] In his review of The Open up Door for the Hartford Courant, Eric R. Danton observed that Lee was more than certain and in charge of the whole anthology, something he found to be exemplified on the "terse rocker" with an "acerbic message" that is "Call Me When You lot're Sober".[28] The New York Times ' Kelefa Sanneh praised Lee's vocal performance calling it "terrific"; he noted that the song "crashes through dissimilar styles while remaining diabolically hummable".[14] Sanneh farther classified the song as "classic Evanescence", which according to him meant "bombastic, meticulously produced... [and] unreasonably addictive".[15] The writer went on to describe the song's chorus as "grandiose" and its bridge as "glorious, glimmering".[xv]

Nick Catucci of Rolling Stone dubbed the song "saucy".[29] Nicholas Fonseca of Entertainment Weekly called "Call Me When Y'all're Sober" an "angry-goth anthem".[xxx] Brendan Butler of Movie theater Blend chosen "Telephone call Me When You're Sober" and "Sweet Sacrifice" the "most-friendly radio [songs]" and noted that they could be the breakout hits from The Open Door due to the fact that they are the album'southward only two songs that "don't excruciatingly wane after a infinitesimal".[31] The Courier-Post 's Jason Nahrung noted that the song was the album'southward near radio-friendly ane and at the same time reminiscent of Lee's previous work with Moody, which according to him meant a use of "heavy bass and drums, spotless and lavish product and Lee'south unmistakable vocals".[32] Writing for Rolling Stone, Rob Sheffield noted how Lee's vocals, which he described as "over the top, in the fashion of Eighties shoulder-pad belters like Pat Benatar or Middle's Ann Wilson", are fitting for a breakup vocal like "Phone call Me When Y'all're Sober".[33] A author for Canada.com ended that Evanescence showed their "staying power" on the "biting single".[34] A Billboard journalist deemed the runway's championship to be "wonderfully compelling" and went on to describe the song as an "anthemic grinder that musically tills familiar ground". The writer concluded the review, noting: "Lee'south vocal is other-worldly and the song's overall impact is potent; nevertheless, there's really nothing new going on".[35]

A negative review came from Michael Endelman of Entertainment Weekly who gave the song a grading of C and wrote: "The sound of a adult female scorned? Very mild, guessing from unmemorable osculation-off, 'Call Me When You're Sober'... Lee's latest pop-metallic melodrama never lives upwards to the great championship, every bit the tune hovers in a holding pattern."[36] Andrew Blacki writing for PopMatters felt that the "'revenge song' 'Call Me When You're Sober' reduces their dramatic image to a state of mope Kelly Clarkson breakup pop for mileage".[37] Alex Nunn of musicOMH panned the song as "pretentious... [s]elf indulgent to nearly breaking point, the clichéd equally hell lyrics and overly generic bankroll make for a shockingly horrid song" which according to him was due to Moody'south absence of interest in information technology. He finished off showing incredulity that the "angelic-vocalled adult female" who wrote "My Immortal" could "churn out such dross as 'Telephone call Me When You're Sober'".[38] In some other review, he said that "Call Me When You're Sober" hinted at the fact that Evanescence became "a mere shadow of the band they used to be".[39] Jenni Cole of the same publication concluded that there was nothing to recommend almost the song and added that information technology was a "disappointing render" for the band.[40]

Recognition [edit]

"Phone call Me When You're Sober" was ranked at number 86 on the annual poll Pazz & Jop collected by The Village Vocalism in 2006.[41] As opposed to that, it was included on the listing of The Virtually Abrasive Songs of 2006 compiled past ABC News.[42] The track was nominated in the category for Favorite Rock Song at the 33rd People's Pick Awards but lost to "Who Says You lot Can't Become Habitation" (2005) past Bon Jovi.[43] In 2011, Loudwire journalist Mary Ouellette, placed the song at number two on her list of 10 Best Evanescence Songs. She chosen it a "perfectly crafted ode to an ex-boyfriend" with relatable lyrics and an "undeniably addictive melody".[44] In 2016, Brittany Porter from AXS listed it at number iv on her listing of the band'southward best x songs.[45]

Chart operation [edit]

"Telephone call Me When You're Sober" accomplished commercial success in the US. For the week ending September 2, 2006, the vocal debuted at numbers 25 and 11 on the US Billboard Hot 100 and on the Hot Digital Songs chart respectively.[46] [47] The following calendar week, it moved to its peak position of number ten on the former chart, beingness the greatest sell gainer for that nautical chart outcome.[48] [49] With this feat, the song became the band'southward third height ten single on that chart; information technology farther remained on the Billboard Hot 100 for a full of twenty ii weeks, concluding seen at number 35.[50] Furthermore, the unmarried peaked in the top ten of several other Billboard charts in the U.s.; on the Developed Pop Songs chart it attained the position of half-dozen for the week catastrophe of November 11, 2006, and on the Mainstream Top xl it peaked at number seven for the week catastrophe November 25, 2006.[51] [52] It additionally peaked at numbers four and five on the Billboard Hot Mod Rock Tracks and the Billboard Hot Mainstream Rock Tracks charts respectively.[53] The unmarried managed to rank at number 77 on the Hot 100 year-terminate chart for 2006.[54] It was certified platinum past the Recording Industry Association of America (RIAA) on February 17, 2009, for selling more 1,000,000 copies in that country.[55]

Elsewhere, "Call Me When You're Sober" was successful across Europe managing to chart within the top 10 in numerous countries. In the United Kingdom, "Phone call Me When Y'all're Sober" debuted at number 32 on the UK Singles Chart on the nautical chart issue dated September 30, 2006.[56] The following week, it moved to number four and this later became its peak position in that country; with this feat, the song became the ring's fourth top 10 and their second peak v unmarried in the Britain.[57] It spent a total of 8 weeks on the United kingdom of great britain and northern ireland Singles Chart and was last ranked at number 69 on the chart issue dated Nov 11, 2006.[58] On the year-cease chart in the country, the song was placed at number 139.[59] On September 21, 2006, the vocal debuted in Italian republic at its pinnacle position of number 3 where information technology also spent an boosted week. It spent a total of 6 weeks in the state'south top 10.[60] Other European countries where the single managed to enter the peak 10 of the charts include Switzerland, where it peaked at number six, Republic of austria and Finland where information technology peaked at number seven and holland where it peaked at number nine.[61]

In Australia, the single debuted at number five on the ARIA Singles Chart on October 1, 2006, and it spent the following week at that same position. It fell to number 7 on October 15, 2006, and information technology spent additional three weeks there. The song was last seen at number 44 on February four, 2007, having spent a full of xviii weeks in the top 40 of the chart.[62] At the end of 2006, the single emerged equally the 30 second best-selling single on the country's yr-stop chart.[63] It ranked at number v on the list of near played songs in Australia in 2007.[64] The Australian Recording Industry Clan (ARIA) awarded the single with a gilded certification in 2006 for shipment of 35,000 copies in that country.[65] In New Zealand, "Call Me When Y'all're Sober" debuted at number ix on the New Zealand Singles Nautical chart on September 18, 2006. It moved to number 4 the following calendar week and peaked at number three on the chart result dated October 2, 2006. It spent a total of 18 weeks in the chart's height xxx, before falling out on January xv, 2007.[66]

Music video [edit]

A scene from the "Little Cherry-red Riding Hood"-inspired prune for the song, where Lee is shown amidst wolves

A music video for the vocal was directed by Marc Webb and filmed in Hollywood, Los Angeles in July 2006 with a 400.000$ budget.[67] [fifteen] Filming was initially scheduled to kickoff in belatedly June, but the sessions were pushed to the second week of July.[68] The video's storyline is based on the fairy tale "Picayune Reddish Riding Hood", with Lee calling it a "mod re-imagining" of that story with a "more absurd, superhero, rock and roll" protagonist. During an interview with MTV News, Lee talked nigh the concept behind the clip, noting that with the song's literal lyrics and title, "we felt like the video would accept the freedom to go in a less literal direction".[16] Several existent wolves were used when filming the video, accompanied by iv personal trainers.[3] While on gear up, Lee started having allergic reactions to the animals but managed to go on and went on singing and petting them.[iii] [16] Webb approached her with the thought of doing something alike to a choreography where she would walk downward the stairs, surrounded by several female person dancers to which Lee agreed.[69] According to footage from the behind-the-scenes prune from the music video, the director also proposed to Lee to straddle her lover in the video, but she, opposed to selling sex, refused, jokingly saying: "Y'all can't blame a guy for trying."[70]

In the video, Lee plays Little Cerise Riding Hood while histrion Oliver Goodwill plays the Big Bad Wolf, who tries to seduce her.[16] The clip begins with Lee at a vanity wearing a ruddy satin cape, lip-syncing to the lyrics while sitting at contrary ends of a dining tabular array with her lover played by Goodwill. She is and so shown standing in front of a mirror while her lover comes behind her; he starts caressing her shoulders and prepares to kiss her, but Lee refuses and pulls away from him. Shots of the band playing the song together and Lee sitting among wolves are interspersed among other scenes of the video. During the song's bridge, Lee appears descending a staircase, backed by four back-up dancers dressed in black article of clothing; upon reaching the bottom, both Lee and the dancers start levitating in the air. At the finish of the song, Lee is seen walking atop the length of the dining table, while chairs and tabletop items are flung aside as she passes. She reaches her lover at the other end of the table, places her finger on his lips, and sings "I've fabricated upward your mind", indicating that he should offset packing his things and leave.[xvi] The video ends with Lee giggling behind the piano.[15]

As of December 2021, the vocal has 138 million views on YouTube.

The clip premiered on MTV, MTV2, VH1 and Fuse Television in the Us on August vii, 2006; it was besides circulate on MuchOnDemand in Canada. It managed to peak at number one on MTV's Total Request Live (TRL).[71] Corey Moss of MTV News concluded that the visual was "an abstract take on somewhat literal lyrics".[72] Kelefa Saneh from The New York Times interpreted the clip equally a metaphor, observing how despite existence placed among wolves, Lee does non appear to be intimidated by them.[15] News Express writer Kathy McCabe felt that Little Red Riding Hood was the "perfect role for the gothrock goddess".[3] The clip for the song was ranked at number ten on VH1's list of Top 40 Videos of 2006.[73] Information technology was nominated in the category for Best International Video by a group at the 2007 MuchMusic Video Awards simply lost to "Welcome to the Black Parade" (2006) by My Chemical Romance.[74] The prune also received a nomination in the category for Best Video at the 2007 NRJ Music Awards simply lost to "De retour" (2007) by M. Pokora.[75]

Live performances [edit]

In August 2006, Evanescence performed an audio-visual version of the song with a pianoforte, a cello and a guitar at the AOL Music Sessions.[76] On October 19, 2006, the band appeared at the awards testify Los Premios MTV Latinoamérica 2006 in Mexico Urban center, performing "Call Me When You're Sober" and "Bring Me to Life".[77] The song was afterwards included on the ready list of the band's The Open Door Tour (2006–07) in back up of their second studio album.[78] [79] According to Donnie Moorhouse of The Republican, information technology receives a "full band handling" during the performances.[80] While reviewing a concert by the band, Milwaukee Journal Sentinel 'due south Jon M. Gilbertson said that the title "pushes away from rock's party mood". Still, he praised Lee'south live operation of the song saying that she "projected so loudly and clearly that she seemed to be trying to reach well beyond the confines of the Eagles Ballroom, and she hit the notes throughout the set. No screaming or growling, in other words."[81] Chris Harris of Rolling Stone described her performance of the vocal having "anybody in the place headbanging along with Lee, whose pilus whipped in circles wildly as she belted out the chorus".[82] The Guardian 's Caroline Sullivan noted that for the "doomy writhing and the darkness" of the song, Lee "cuts a triumphant figure".[83]

At the 2006 Jingle Ball, Evanescence performed "Going Nether" and "Call Me When You're Sober".[84] During the Family Values Tour 2007, Evanescence performed the song on July 30, 2007, in Mansfield. They had a 65-minute set during the bear witness and Sarah Rodman of The Boston Earth praised the performance of the song, writing, "'Call Me When You're Sober' was a seething highpoint, with Lee heaving and hurling her bitterness like then much cathay at a betrayer'south head."[85] The band performed the song during a secret gig concert that took identify on November 4, 2009, at the Manhattan Center.[82] Four days later, the band performed the song during the 2009 Maquinaria festival in São Paulo, Brazil.[86] The ring later added the song to the set listing of their 3rd worldwide tour in support of their 3rd self-titled studio album (2011), titled the Evanescence Tour (2011–12).[87] [88] They also performed "Call Me When You're Sober" during the 2011 Rock in Rio festival on October two, 2011, every bit role of the aforementioned bout.[89] On April 11, 2012, the ring performed "Call Me When You're Sober" at the 2012 Revolver Gilt Gods Awards at the Nokia Theater in Los Angeles.[xc] The band later included the song on the set list of their bout which visited cities in the U.s.a. and Europe in 2016 and 2017.[91] While reviewing a concert from the tour, David Simers from the website National Rock Review observed that the "decibel kept rising" with the functioning of the track.[92]

Encompass versions and usage in media [edit]

Gina Glocksen, a contestant of the 6th flavour of the reality prove American Idol performed the vocal live.[93] Talking well-nigh her comprehend of the song Lee said: "Information technology'south such a surreal matter watching other people perform your songs in the first place, but people that you don't even know on Tv doing 'American Idol' and Paula Abdul commenting on it is simply a whole other thing. It was pretty hilarious, just 'crusade it'due south our song, but I don't recollect she did a bad chore."[94] Jim Cantiello of MTV News praised Glocksen's functioning, maxim that Glocksen "could kicking Amy Lee'due south butt in a cage lucifer".[95] DJ Nate, an American disc jockey, made a sped-upwards remix of the song in 2010 and included it on his album Da Trak Genious.[96] [97] On June xvi, 2009, "Bring Me to Life", "Phone call Me When Y'all're Sober" and "Weight of the World" were included in the video game Rock Band every bit downloadable songs.[98] The following year, the song was also included on the iOS game Rock Band Reloaded.[99] "Call Me When You're Sober" was too used in the Nintendo DS soundtrack for the game Ring Hero (2009).[100]

Credits and personnel [edit]

Credits are adjusted from The Open up Door liner notes.[12]

Track listing and formats [edit]

Charts [edit]

Certifications [edit]

See too [edit]

  • Listing of Billboard Hot 100 top 10 singles in 2006
  • List of UK top 10 singles in 2006

References [edit]

  1. ^ Archive-Chris-Harris. "Evanescence Set For Autumn Tour; Amy Lee Reveals Inspiration Behind 'Sober'". MTV News . Retrieved August ii, 2019.
  2. ^ a b c Harris, Chris (Baronial ten, 2006). "Evanescence Set For Fall Bout; Amy Lee Reveals Inspiration Behind 'Sober'". MTV News. Archived from the original on June 6, 2014. Retrieved June 21, 2011.
  3. ^ a b c d e f McCabe, Kathy (September 28, 2006). "Amy Lee'due south opening doors". News Limited. Archived from the original on Baronial two, 2017. Retrieved June 26, 2011.
  4. ^ a b c d e Harris, Chris (July 18, 2007). "Seether Frontman Won't Respond To Amy Lee's Assault: 'I Just Turn down To Lower Myself To That Level'". MTV News. Archived from the original on June 5, 2014. Retrieved November 7, 2011.
  5. ^ "Evanescence: Amy Lee Explains the New Songs". VH1. August ix, 2006. Archived from the original on October 28, 2007. Retrieved June 10, 2011.
  6. ^ Dodero, Camille (September 11, 2011). "Tough Questions for Evanescence's Amy Lee". Spin. Archived from the original on July 9, 2015. Retrieved September 21, 2011.
  7. ^ a b Goodman, Jessica (October 5, 2016). "Evanescence'southward Amy Lee reveals stories behind the songs". Amusement Weekly. Archived from the original on August 18, 2017. Retrieved Baronial 18, 2017.
  8. ^ "Evanescence'southward New Single "Telephone call Me When You're Sober" Made Available to US Radio via Digital Distribution". Orlando, Florida: Vocus. August one, 2006. Archived from the original on October xv, 2012. Retrieved June 27, 2011.
  9. ^ "Evanescence grows up". NME. July 27, 2006. Archived from the original on July 11, 2017. Retrieved August xiii, 2006.
  10. ^ "Call Me When You're Sober - Page 79 - EvBoard - Evanescence Forum". EvBoard.com. Archived from the original on March 20, 2016. Retrieved September 22, 2011.
  11. ^ a b Maerz, Melissa (Oct 2006). "She sold more than fifteen 1000000 albums with Evanescence, only to find herself in abusive relationships". Spin. 22 (10): 67, 68, 70. ISSN 0886-3032. Archived from the original on January 27, 2018. Retrieved August 19, 2017.
  12. ^ a b c The Open Door (liner notes). Evanescence. Wind-upwards Records. 2006. {{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  13. ^ "Evanescence - Call Me When You're Sober Sheet Music (Digital Download)". Musicnotes.com. November iii, 2006. Retrieved June 10, 2011.
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Source: https://en.wikipedia.org/wiki/Call_Me_When_You%27re_Sober

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